Muse over the spiritual in modern times with “Mekheski”
What better way to begin a new year than with thoughtful contemplation and exploration of new possibilities? And what better music with which to embrace…
Thanya Iyer explores the resolution of “rest” on new album
The often delayed nature of the music industry, with its heavily planned promotional cycles, typically leads to an album’s songs seeing the light of day…
Jeremiah Moon’s “Melusine” mixes the familiar and the fantastical
The world could certainly stand to be less divided these days — and that’s not (just) a reflection on political views. Through all the changes…
DJ Hank’s “City Stars EP” shines with supercharged style
Chicago artist, DJ, and producer, DJ Hank, has been infusing the Windy City’s music scene with immensely appealing work for several years. His creativity has…
No test drive required to enjoy Prototype’s self-titled debut EP
Geneva, Switzerland-based modern jazz quartet P R O T O T Y P E (hereon, Prototype) say the band’s freshly released, self-titled debut is an…
Stepping into a “Surreal Circus” to start 2022
With the arrival of a new year comes the familiar wishes of happiness and joy, along with the embrace of ideas like renewal and redemption,…
Meet Me @ the Altar’s debut might be a “Model Citizen” but it’s no idle introduction
Given the constraints that the past year of pandemic-fueled separation put upon the music industry and all the musicians that work and create within it,…
Get a surge of dopamine and nostalgia with VNRVLY’s new EP
Mixing of genres of instrumental-bending of music typically known in one style often raises eyebrows, either out of shock and displeasure or curiosity and intrigue.…
Aaron Taos and his marvelous tribute “For Marv”
There is really no way, nor is there necessarily a reason, to approach a release like Aaron Taos’s new EP, For Marv, through a traditional music review…
Elevado elevate impactful insights with debut EP “Asheville” (Premiere Play)
When getting introduced to a new song or album for the first time, so often the ways in which the music’s opening impression gets described…