Su Lee lets dreams fly even while “Wide Awake”
One will observe there’s an intriguing dichotomy when first getting acquainted with Su Lee. Breaking out only earlier this year with debut single, “I’ll Just…
City Mouth prepares a pick-me-up with “Fall Songs”
Just when it seems like every artist and band with a mild-to-moderately established fanbase has pivoted to holiday-themed, Christmas traditional, or New Year’s cover songs…
Jared Saltiel’s new single comforts those “Still Tired”
Thinking back to just barely over two years ago, so many around the U.S. were feeling the emotional strain of daily political discussion that somehow…
Cloud Caverns contemplates the heights and depths of “A Banner Year”
It’s hard to believe how the span of time over which experimental folk band Cloud Caverns (Brandon Peterson, Dan Bouza) managed to reach its fifth…
Torsten Jensen embraces “Progressions” with solo piano EP
Seeing a solo project emerge from an artist known previously for making music with a group might initially seem more like a move of regression…
Crash the Calm’s “Devils” trade community for chaos
In these days, weeks, and months where so much of daily life can feel crushingly difficult, it’s sensible to think that bands of the dynamically…
The Amanda Broadway Band’s debut “The Ache” is painfully good
The musicality of Amanda Broadway has undergone a slew of stylistic shifts over the years. Starting out as a self-driven singer-songwriter in from Brockport, New…
Stop and think on the “Kosciuszko” with Premium Heart
One would imagine, with Premium Heart’s debut album carrying the title Kosciuszko, that the record’s related semi-titular track, “How To Pronounce Kosciuszko,” would be at…
Pete Mancini’s new single aims to inspire “Millions More”
Certain blocks of time in history are known for their linings of protest music. The 1960s and 1970s are popular decades of recent 20th century…
Elevado elevate impactful insights with debut EP “Asheville” (Premiere Play)
When getting introduced to a new song or album for the first time, so often the ways in which the music’s opening impression gets described…